Branded Video Production and Content Series

Content series your audience chooses to watch, planned for every channel and market.

400+ clients in 30 countries, including 89 large enterprises.

Branded content or ads?

Branded content earns attention on the channels you own and keeps working for months. Spots built for paid media have their own page.

Both can come from the same production.

What branded video is used for

Enterprise brands commission branded content when they need attention that advertising cannot buy: trust from a technical audience, a place in an industry conversation, or a reason for buyers to come back. These are the six jobs it does best.

01.

Own a topic in your industry

A series built around the questions your buyers already ask positions your experts as the reference on that subject. Each episode answers one question well, and over a season the series becomes the place your market goes to understand the topic. It is the most direct way to build brand authority without paying for every view.

02.

Make complex offers understandable

Technical products, regulated services and B2B platforms are hard to explain in an ad. Editorial episodes give the subject room: a specialist walks through the problem, the context and the approach, in language a buyer can repeat to a committee. Teams use these films to explain complex solutions long before the first sales call.

03.

Feed sales and partner conversations

Account teams need material that opens a conversation without sounding like a pitch. A content series gives them a new, relevant episode to share every few weeks, with versions sized for email, LinkedIn and presentations, so the same production supports marketing and sales at the same time.

04.

Show how your company works

Follow a project from brief to delivery, a new plant coming online or a research team at work. Episodes like these let customers, investors and partners see how your company operates, which makes the claims in your marketing easier to believe and harder for competitors to copy.

05.

Stay visible between campaigns

Campaigns run for weeks; buying cycles run for months. A series on a regular release calendar keeps your brand in front of the same audience in the quiet periods between launches, so the next campaign starts with people who already know you instead of with a cold audience that has to be won over again.

06.

Extend events and conferences

A keynote or an industry panel reaches the people in the room. Recorded with a plan and edited as a set of short episodes, the same content keeps working for months on your channels, and gives everyone who missed the event a reason to follow what your brand publishes next.

Branded content in practice

Series and editorial films made for multinational brands, across industries and markets.

How we produce it

From format to season

A series has to work at episode one and still hold attention at episode ten. Five stages keep the format consistent, the budget predictable and every approval on time.

One format.
Every episode.

Editorial method
for enterprise brands

  1. Audience and channels

    We map who you want to reach, what they already watch and where they watch it.

  2. Editorial format

    A format bible fixes the concept, episode structure, tone, length and visual style.

  3. Pilot episode

    One episode tests the format with your stakeholders before the full season is produced.

  4. Season production

    Episodes are filmed in planned blocks, so crews, locations and speakers are used efficiently.

  5. Versions and release

    Every episode is cut for each channel, captioned and delivered on the release calendar.


One production.
A full season of content.

Branded content is planned in volume. One production period can deliver a season of full episodes, short cut-downs for LinkedIn and YouTube Shorts, vertical clips for social channels, stills for your editorial calendar and an extended version for your website or events. Planning every asset before the shoot keeps the cost per piece low and the look consistent from the first episode to the last. It also gives your content team a calendar of finished assets on the day the season launches, instead of a backlog of requests to the edit suite.

Each piece is delivered in the ratios and lengths your channels need, with captions and subtitles in the languages your markets speak. When a series is filmed in several countries, one team runs every location through multi-market video production, so episodes recorded on different continents still feel like one series.

Clutch Champion award, Fall 2023
Clutch Global award, Fall 2023

Who branded content is for

Marketing and brand teams use a series to stay present between campaigns, with content their audience looks for instead of scrolling past. Communications leaders use editorial films to explain the company’s position on the topics that shape its reputation. Sales and partner teams use episodes to restart conversations with accounts that no longer answer emails. In every case, the series works because it gives a specific audience something useful, not because it talks about the brand.

We produce branded series most often for technology, healthcare and automotive brands: as a B2B video production agency for software and IT companies, in healthcare video production, where every claim goes through medical and legal review, and in automotive video production for brands that sell engineering as much as design. If you are still choosing a format, compare all our corporate video production services.

Planning a series for your brand?

Related video styles

Branded content often runs alongside other formats. Each one has its own job.

Why Olive Tree Films

Built for brands
that publish.

One partner for every episode,
in every market

For 18 years we have produced corporate content for more than 400 clients, among them 89 large enterprises, with productions in 30 countries. A series needs the same crew standards, approvals and look in every episode, wherever it is filmed. That consistency is what our team is built to deliver, with producers who manage approvals across marketing, communications and legal from the first episode to the last.

videos produced
0 +
countries
0
clients served
0 +
years of experience
0

Portfolio

Series and films
made to be watched
to the end.

Smiling presenter in close-up with a field service poster behind her, from a branded content video for HP and Simpress
Two colleagues at a laptop in a turquoise layout with the word inovar, from a branded content video for TOPMIND
Smiling presenter beside large windows overlooking city buildings, from a branded content video for HP and Simpress
Presenter pointing at graphics of printers, computers and phones, from a branded content video for HP and Simpress
Man in a navy polo shirt gesturing toward a colleague's computer in a branded office, from a commercial for Certta
Zebra barcode scanner held beside a labeled cardboard box, from a branded content video for HP and Simpress

Branded content questions

What marketing and communications teams ask before they commit to a branded series.

What is branded video production?

Branded video production is the creation of video content that a company publishes to earn its audience’s attention, not to interrupt it with an ad. The content informs, entertains or documents real work, and the brand is credited as the publisher. For enterprise brands it usually takes the form of a recurring series on owned channels such as YouTube, LinkedIn and the company website.

A software company that publishes a monthly series in which its engineers explain how customers solve a common technical problem is producing branded content. So is a manufacturer documenting how a new plant is built, or a bank releasing short films about the financial decisions small businesses face. In each case the audience watches for the subject, and the brand earns credibility by providing it.

Advertising buys attention with a direct message about a product, usually in paid media and in 15 to 60 seconds. Branded content earns attention with a subject the audience already cares about, and it lives mostly on channels the brand owns, where it keeps working for months. Many brands use both, and the two can often be planned around the same production.

A first season of four to eight episodes works for most enterprise series. That is enough for the audience to recognize the format and for your team to measure what works, without committing the full budget before the pilot is approved. Later seasons can adjust length, frequency and topics based on what the first season shows.

Measure branded content by attention and by business outcomes, not by views alone. Useful metrics include average watch time, completion rate, returning viewers and subscriber growth, plus downstream signals such as content-sourced leads and sales conversations that cite an episode. We agree these metrics with your team at the format stage, so every episode is edited to support them.

Yes. The format bible defines what stays identical in every market, such as structure, graphics and tone, and what each country adapts, such as speakers, examples and language. Episodes recorded in different countries are produced to the same technical standard and delivered with localized captions, so the series reads as one brand wherever it runs.

Yes, as long as the rights allow it. Episodes and cut-downs can be amplified with paid distribution on YouTube, LinkedIn and other platforms when music, footage and the people on screen are cleared for paid use. We plan those clearances at the format stage, so the decision to promote an episode never waits on a rights question.

Length should follow the channel and the subject, not a fixed rule. Flagship episodes for YouTube and websites usually run between five and twelve minutes, while cut-downs for LinkedIn and paid amplification work best under ninety seconds and vertical clips under forty-five. The format bible sets these lengths per channel, so every episode is planned for where it will actually be watched.

A first conversation needs three inputs: the audience you want to reach, the business outcome the series should support and the channels where it will be published. With those, we propose a format, an episode plan and a production schedule. Subject-matter experts and approval owners can be confirmed once the format is agreed.

Start a project

Your audience is already searching.
Give them something worth watching.

Woman in a green sweater working on a laptop in a shared workspace, from a corporate film for Super W
Woman and child beside cakes, strawberries and Danone Neoforte cans in a kitchen, from a commercial for Danone
Aerial view of a large pet food factory with silos, access roads and fields, from a corporate film for PremieRpet
Seated man holding a skateboard beside an indoor ramp, from a testimonial brand film for 360 Skatepark