Corporate Video Production in Atlanta

Corporate films and client testimonials filmed at your sites across metro Atlanta by trusted local crews, with a member of our team on set and creative direction, production management and editing from São Paulo. One contract in US dollars.

Filming across metro Atlanta

Trusted Atlanta crews film your story. A member of our team is on set for every shoot.

City permits, insurance certificates and site rules handled before the shoot day.

How Atlanta production works

Who does what on an Atlanta project, from the first call to the delivered files.

01.

Creative direction

Our creative team in São Paulo turns your brief into a concept, a script or interview guide and a visual plan, and you approve each one before the shoot is booked.

02.

Planning and permits

Production management in São Paulo schedules the crew, confirms site access and safety rules, and files the city film permit when a location needs one. One person on our side stays your contact throughout.

03.

Filming in Atlanta

A crew from our trusted production partners in the Atlanta area films at your location. Crews are local, so there is no international travel to schedule around.

04.

Our team on set

A member of our team joins every Atlanta shoot to keep the day on the approved plan, work with the people on camera and confirm that each scene is covered before the crew wraps.

05.

Editing and post-production

Our post-production team in São Paulo edits the film and handles color, sound, motion graphics, captions and versions. Atlanta and São Paulo are one or two hours apart depending on the season, so reviews happen within the same working day.

06.

Contract and billing

Your contract is with Olive Tree Films, LLC, our US company in Miami, and pricing and invoices are in US dollars. We engage and manage the Atlanta crew, so you deal with one vendor.

At a glance

Local crews, one standard

What every Atlanta project includes

English, Spanish and Portuguese across the project, voice-over in more than 50 languages, two revision rounds in every package and a team that has worked with more than 400 clients.

languages on set: English, Spanish, Portuguese
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Permits, sites and the season

Most corporate filming in Atlanta happens on private property: a corporate campus in Midtown or Buckhead, a distribution center near the airport, a plant, a lab, a customer’s store. There, permission comes from the owner or the site manager, who may ask for a certificate of insurance, safety training, protective equipment for the crew and set hours for loading equipment. Ask for those rules early and share them with us, so they shape the schedule instead of interrupting it. Olive Tree Films, LLC carries general liability insurance in the United States and provides certificates of insurance.

Public property is handled by the city. According to the City of Atlanta’s film permitting page, a permit may be needed for filming on public property, closing a street, lane or sidewalk, putting up a temporary structure, lighting a residential street at night, or using effects, firearms or stunts. The city’s permit FAQ says it generally turns applications around in 24 to 48 hours, but a street closure needs at least five business days, a lane closure three and a sidewalk closure 48 hours, and applications filed less than 72 hours before filming pay a rush fee. Filming on city property requires at least $1,000,000 in insurance, according to the city’s FilmApp portal. Metro Atlanta spans many cities and counties, so a location in Sandy Springs, Marietta or Decatur follows that jurisdiction’s rules, not the City of Atlanta’s.

Summers are hot and humid, with frequent afternoon thunderstorms, and winter can bring occasional ice. Exterior scenes get an indoor alternative and some buffer in the schedule; interviews filmed indoors are not affected.

We film across metro Atlanta and the rest of Georgia. List every location in your request: the drive between sites decides how many fit in one shooting day.

Rossetti:
One plant, two films

An industrial brand film for Rossetti, a manufacturer of tipper bodies and semitrailers, written and produced by our team in one filming day at the plant, with aerial and ground cameras, followed by a customer case for Comlink at the same site. Filmed in Guarulhos, Brazil. It is the kind of planning a shoot at an Atlanta plant or distribution center needs: safety rules, a running operation and one day to get it right. Read the Rossetti case.

The trailer is public. The full film is available on request.

Relevant work

Comparable projects, and where they were filmed

These projects were filmed in Brazil. They show the team that plans, directs and edits Atlanta projects. Our clients also include UPS, headquartered in Atlanta, for whom we have filmed in São Paulo.

Man in glasses and a light blazer speaking beside a reception desk and plants, from a commercial for Certta

Corporate film

Certta

A rebranding film with four executives, four sectors and one shooting day, with a corporate space turned into four themed sets and a closing scene at a nearby restaurant. Filmed in São Paulo, Brazil. Read the Certta case.

Woman in a Wanda polo shirt serving a customer at a paint store counter, from an AkzoNobel Colorvation testimonial

Client testimonials

AkzoNobel

Two customer testimonials for AkzoNobel’s international Colorvation campaign, each filmed inside the customer’s own business, in cities more than a thousand kilometers apart. Filmed in Rio de Janeiro and Pelotas, Brazil. Read the AkzoNobel case.

Way-262 graphic of Sula Miranda using a phone beside app download QR codes, from an explainer video for Way-262

Operations explainer

Way-262

Five short animated explainers that showed drivers how barrier-free tolling works and how to pay, produced with the agency Gaudí Creative Thinking. Produced in São Paulo, with no filming. Read the Way-262 case.

Verified reviews

Reviewed on Clutch.

300%

increase in new-user visits to the Tuvis website, according to Tuvis’s verified review of our work on Clutch.

6M

campaign impressions, plus 27,000 clicks, reported in the same review.

Source: verified reviews on Clutch. These are results of the entire Tuvis campaign, not of the video alone.

“Everyone I interact with is incredibly friendly,” wrote Greg Johns, a videographer at OpenText, about the corporate b-roll we filmed for the Canadian information management company. Vittoria Tatavitto, Product Marketing Coordinator at Tuvis, summed up a project that covered planning, casting, production and post-production: “The whole journey with them was exceptional.”

Languages

English, Spanish and Portuguese

Atlanta teams often answer to headquarters, customers or colleagues in other countries. Our team works in English, Spanish and Portuguese, from the briefing to the final review.

Woman in an orange top presenting a bar chart at a meeting table, from an educational video for Wizard by Pearson

Briefing and reviews

Reviews in your language

Scripts, interview guides and review notes can be written in English, Spanish or Portuguese, so each stakeholder approves in the language they work in.

Cinema camera with a matte box ready on a film set, with crew and lighting stands behind it

On set

Natural interviews

People on camera can answer in English, Spanish or Portuguese, and our team on set follows the conversation in all three.

Film crew setting up a large diffusion screen and equipment carts for a shoot on a city street

Post-production

Captions and 50+ voices

Every package includes captions, and voice-over is available in more than 50 languages for markets outside the US.

One Atlanta shoot, versions for every market

Atlanta is home to the headquarters of companies with operations around the world, UPS among them, and a film shot there often has to work for teams in other countries. Plan the versions before the shoot: which interviews need subtitles or voice-over, which on-screen text changes by market, and which scenes must also work vertically. Decided before the camera rolls, a version is an edit, not a second shoot.

Our base in São Paulo makes Portuguese for Brazil and Spanish for Latin America part of the same project. See how we approach multi-market video production.

Clutch Champion award, Fall 2023
Clutch Global award, Fall 2023

Every package comes with

These six items are part of every corporate video package. Anything else is spelled out in your proposal before production starts.

01.

Long and short versions

Two long and two short versions, edited from the same footage for a full presentation and for quick social posts.

02.

Horizontal and vertical

Horizontal and vertical files, ready for screens, websites and phones.

03.

Captions

Captions on every version, for accessibility and for viewers with the sound off.

04.

Two revision rounds

Two rounds of revisions after the first cut, with one person on your side consolidating comments.

05.

Usage rights

Lifetime usage for films with no actors, and one year when the film uses actors.

06.

Music

Royalty-free licensed music is included; an original score can be quoted separately.

Corporate video packages from $5,000

Atlanta projects are priced in US dollars, starting at $5,000 for a corporate video. The proposal shows scope, schedule and price before any shoot date is booked.

Blue PremieR Cookie pouches traveling along a factory conveyor, from a corporate film for PremieRpet

What shapes the price and the timeline

An Atlanta proposal is built from a few variables: shooting days, the number of locations and the drive between them, crew size, any city permit, actors, the number of interviews, languages and versions, animation and music. Site rules matter too: safety inductions, protective equipment or restricted hours at a plant or distribution center can change the crew call and the cost. Georgia also has a deep production community, with more than 440 television and streaming episodic productions based in the state over the last three fiscal years, according to the Georgia Department of Economic Development, so experienced crews and rental houses are local.

Plan on 20 to 30 calendar days from briefing to first cut when the project includes an Atlanta shoot or actors, and 15 to 20 when it uses existing footage, stock or animation. A shoot needs at least 15 calendar days of notice. The two revision rounds then depend on the speed of your feedback.

What usually moves Atlanta schedules: executive calendars, access to operational sites and the number of approvers. If the film has a fixed date, such as a launch or a company meeting, start from it and we plan backward.

Before the first call, gather the goal and the audience, the people who could appear on camera, the locations and their rules, the approvers and your brand guidelines. None of it is required to send a request.

PremieR Cookie pouch held inside automated packaging machinery, from a corporate film for PremieRpet
Laboratory staff using a benchtop mixer with a beaker of clear liquid, from a corporate film for Roquette
Welder in protective clothing working along a large metal assembly in a factory, from a corporate film for Rossetti
Rows of trucks fitted with white Rossetti dump bodies in an outdoor yard, from a corporate film for Rossetti

Companies that have worked with us

After you inquire

From request to shoot day

Five steps from your first message to the shoot, with the same team throughout.

One team.
One contract.

Filmed in Atlanta.
Edited in São Paulo.

  1. Reply

    We review your request and usually reply within 24 hours on business days.

  2. 20-minute call

    A Google Meet call to answer your questions and understand the goal, the audience and the locations.

  3. Proposal

    Scope, schedule, deliverables and price in US dollars, based on what we learned in the call.

  4. Pre-production

    Script or interview guide, shoot plan and the local crew confirmed for your date, with at least 15 calendar days of notice.

  5. Shoot and edit

    Filming at your location, then editing in São Paulo, first cut, two revision rounds and delivery.


Related pages and cases

The formats we film in Atlanta and the cases behind this page.

Practical questions about filming in Atlanta

What teams in Atlanta usually ask before booking a shoot.

Do you have a team in Atlanta?

We film in Atlanta with trusted local partner crews, and a member of our team is on set for every shoot. Creative direction, production management and post-production are handled by our team in São Paulo, and you contract Olive Tree Films, LLC, our US company in Miami. You can reach us at +1 (786) 936-6428 or hello@olivetreefilms.com.

Not from the city. On private property, permission comes from the owner or site manager, who may ask for insurance certificates and safety rules. A City of Atlanta permit is needed for public property and for activities such as street, lane or sidewalk closures, temporary structures, night lighting in residential areas, effects, firearms or stunts.

The city generally processes permits in 24 to 48 hours. Street closures need at least five business days, lane closures three and sidewalk closures 48 hours, and applications filed less than 72 hours before filming pay a rush fee. Filming on city property requires at least $1,000,000 in insurance.

Metro Atlanta includes many cities and counties, each with its own rules, so a location in Sandy Springs, Marietta or Decatur follows that jurisdiction rather than the City of Atlanta. List every location in your request and we confirm what each one needs.

Yes. People on camera can speak English, Spanish or Portuguese, captions are included in every package, and voice-over is available in more than 50 languages.

At least 15 calendar days before the shoot date. Allow more time for street closures, which need five business days of permit lead time, or when several executives must appear on camera.

Request a proposal

Filmed in Atlanta. Directed and edited by one team.

Woman in front of numbered washing machines and dryers in a shared laundry room, from a corporate film for Super W
Welder working on metal with bright sparks, from a corporate brand film for Rossetti
Two laboratory workers in protective gear examining a sample, from a brand film for Roquette
Worker in a hairnet and hearing protection monitoring factory control screens, from a corporate film for PremieRpet

Request a proposal

Tell us about your Atlanta project.

Six fields are enough to start: who you are, what you need, where and when. The budget range and project details are optional.

What happens next. We usually reply within 24 hours on business days and set up a 20-minute Google Meet call. After the call, you receive a proposal in US dollars with the scope, the schedule and the deliverables.

Prefer to talk first? Call or message us on WhatsApp at +1 (786) 936-6428, or write to hello@olivetreefilms.com.