Corporate Video Production in Singapore

Corporate films and client testimonials filmed in Singapore by trusted partner crews, working to a plan our team writes and you approve, then edited in São Paulo. One contract in US dollars, from the first call to the final file.

Filming across Singapore

A Singapore partner crew films to your approved plan. Our team reviews every shoot day.

Owner approvals, agency permits and building rules sorted before the shoot day.

How Singapore production works

One accountable company and one written plan, followed by a partner crew in Singapore and reviewed by our team in São Paulo.

01.

Creative direction

Our creative team in São Paulo writes the script or interview guide, the shot list and the visual references, so the crew in Singapore knows exactly what the film needs. You approve each document before the shoot.

02.

Pre-production and approvals

Production management in São Paulo books the Singapore crew, confirms locations with their owners, requests any agency permits and agrees a call sheet with your team, with a single point of contact.

03.

Filming in Singapore

A crew from our trusted Singapore production partners films at your location, led by their producer and following the approved plan scene by scene. Nobody flies in from Brazil.

04.

Reviewed at the end of each day

The crew uploads the day’s footage when the shoot wraps. Singapore is 11 hours ahead of São Paulo, so the Singapore evening is our morning: we review the material during our working day and send notes before the next shoot day starts.

05.

Editing and post-production

Editing, color, sound, motion graphics, captions and versions are done by our post-production team in São Paulo. Because of the time difference, cuts we send at the end of our day reach you early in your morning.

06.

Contract and billing

You contract Olive Tree Films, LLC, our US company in Miami, and pay in US dollars. We hire and coordinate the Singapore crew, so your procurement team onboards one vendor.

At a glance

Two continents, one standard

What every Singapore project includes

A written plan approved before the shoot, a review of every shoot day, voice-over in more than 50 languages, two revision rounds in every package and a team that has served more than 400 clients.

languages on set: English, Spanish, Portuguese
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languages for voice-over
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revision rounds included
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clients served
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Owners, agencies and the weather

Most corporate filming in Singapore takes place indoors: an office in the CBD, a lab, a regional headquarters, a customer’s site. On private property, permission comes from the owner or the building’s management, which may also set loading times, lift bookings and security passes for the crew. Share those rules early, so they become part of the plan.

Outside, the rules are simple but specific. According to the IMDA guide to filming in Singapore, permits are generally not required for filming on streets and walkways as long as there is no obstruction to vehicles or pedestrians, and nearby businesses or neighbors should be told at least three working days ahead. Government-owned places are approved by the agency that manages them: the Land Transport Authority for roads and public facilities, SMRT for trains and stations, HDB and the Town Councils for housing estates, the Singapore Land Authority for state land, the Maritime and Port Authority for port waters and Sentosa Development Corporation for Sentosa. NParks requires a permit for all filming in parks and nature reserves, with no fee, and asks for applications at least one month ahead.

Drones need two permits from the Civil Aviation Authority of Singapore, an Operator Permit and a Class 1 Activity Permit, whatever the location or the size of the aircraft, and processing takes at least 10 working days. If the film needs aerial shots, mention it in the first call.

Singapore is hot and humid all year, and heavy showers can arrive quickly. Exterior scenes get an indoor alternative and some buffer in the schedule; interviews filmed indoors are not affected.

UN Global Compact:
Three languages, no filming

Eight animated episodes for the UN Global Compact Network Brazil’s anti-corruption campaign, delivered in Portuguese, Spanish and English, with the English version presented in Paris at a side event of the OECD Anti-Corruption and Integrity Forum. Produced in São Paulo, with no filming. It shows the part of our work that never needs a crew: for a Singapore team with markets across the region, one script can become a series in several languages. Read the UN Global Compact case.

The trailer is public. The full film is available on request.

Relevant work

Comparable projects, and where they were filmed

These projects were filmed in Brazil. They show the planning a crew needs to film a story to one standard, the same planning we send to our partners in Singapore. Our clients also include companies headquartered in Japan, such as Takeda, Daiichi Sankyo, Yamaha Motor and Tokio Marine.

Man in a light blue shirt beside fountains and gardens in Belo Horizonte, from KPMG's Make the Difference series

One global standard

KPMG

The Brazilian chapter of KPMG’s global series Make the Difference, shot by our crew to the visual standard Beagle Media had set in earlier seasons: an interview, five office scenes and an exterior in one day. Filmed in Belo Horizonte, Brazil. Read the KPMG case.

Man in a navy polo shirt pointing at the camera in a busy restaurant, from a commercial for Certta

Planned to the minute

Certta

A rebranding film with four executives, four sectors and one shooting day, with a corporate space turned into four themed sets and a closing scene at a nearby restaurant. Filmed in São Paulo, Brazil. Read the Certta case.

Welder joining a vertical metal structure as bright sparks scatter, from a corporate film for Rossetti

Industrial, in one day

Rossetti

A brand film for a manufacturer of tipper bodies and semitrailers, written by our team and filmed in one day at the plant, followed by a customer case for Comlink at the same site. Filmed in Guarulhos, Brazil. Read the Rossetti case.

Verified reviews

What clients wrote on Clutch.

300%

more new-user visits to the Tuvis website, the result Tuvis reported in its verified Clutch review.

6M

impressions and 27,000 clicks across the Tuvis campaign, from the same review.

Source: our Clutch reviews. The figures measure the full campaign, with the video as one of its parts.

Greg Johns, a videographer at OpenText in Canada, on our corporate b-roll work: “Everyone I interact with is incredibly friendly.” Vittoria Tatavitto, Product Marketing Coordinator at Tuvis, on a project that ran from planning and casting to post-production: “The whole journey with them was exceptional.”

Languages

English, Spanish and Portuguese

Singapore works in English, alongside Mandarin, Malay and Tamil, its other official languages. In the 2020 Census, 48.3% of residents aged five and over spoke English most often at home, according to Singapore’s Department of Statistics. Our team works in English, Spanish and Portuguese.

Woman in an orange top presenting a bar chart at a meeting table, from an educational video for Wizard by Pearson

Briefing and reviews

Scripts in English

Scripts, interview guides and shot lists are written in English, the working language of business in Singapore, and can also be prepared in Spanish or Portuguese for stakeholders elsewhere.

Cinema camera with a matte box ready on a film set, with crew and lighting stands behind it

On set

Interviews in other languages

Most corporate interviews in Singapore are in English. If an interviewee prefers another language, tell us before the shoot so that translation and captions are part of the plan.

Film crew setting up a large diffusion screen and equipment carts for a shoot on a city street

Post-production

Captions and 50+ voices

Captions come with every package and voice-over is available in more than 50 languages, so one Singapore film can travel across the region.

One Singapore shoot, versions for Asia Pacific

Singapore is where many companies run Asia Pacific, so a film made there often has to work in several markets. Settle the versions before the shoot: which interviews need subtitles, which on-screen text changes by country, and which scenes must work vertically as well as horizontally. Decided early, a version is an edit; decided late, it can mean another shoot day.

Because our base is in São Paulo, a Portuguese version for Brazil or a Spanish version for Latin America can come from the same project. See how we approach multi-market video production.

Clutch Champion award, Fall 2023
Clutch Global award, Fall 2023

Part of every package

Six things come with every corporate video package. Anything more is written into the proposal before production starts.

01.

Long and short versions

Two long and two short cuts of the film, for a website or an event screen and for social feeds.

02.

Horizontal and vertical

Horizontal and vertical files, so the same film works in presentations and on phones.

03.

Captions

Captions on every version, for silent viewing and accessibility.

04.

Two revision rounds

Two rounds of changes after the first cut, best handled with one person collecting comments on your side.

05.

Usage rights

Usage without a time limit for films with no actors, and one year for films with actors.

06.

Music

Licensed royalty-free music, with original music quoted separately if you want it.

Corporate video packages from $5,000

Singapore projects are quoted in US dollars, from $5,000 for a corporate video, with scope, schedule and price in the proposal before any date is booked.

Blue PremieR Cookie pouches traveling along a factory conveyor, from a corporate film for PremieRpet

What shapes the price and the timeline

A Singapore proposal depends on shooting days, the number of locations and the distance between them, crew size, any agency permits, actors, the number of interviews, languages and versions, animation and music. Building rules count too: restricted loading hours or lift bookings can change the crew call and the cost.

Plan on 20 to 30 calendar days from briefing to first cut when the project includes a Singapore shoot or actors, and 15 to 20 when it is built from existing footage, stock or animation. A shoot needs at least 15 calendar days of notice, and more when it involves a park, where NParks asks for a month, or drones, where the CAAS permits take at least 10 working days. The two revision rounds then move at the pace of your feedback.

Regional calendars move Singapore schedules: executives traveling across the region, building access and approvals that involve a headquarters in another time zone. If the film is tied to a regional meeting or a launch, give us the date first and we plan back from it.

For the first call, have the goal and audience, the people who could appear on camera, the locations and building rules, the approvers and your brand guidelines ready. None of it is required to send a request.

PremieR Cookie pouch held inside automated packaging machinery, from a corporate film for PremieRpet
Laboratory staff using a benchtop mixer with a beaker of clear liquid, from a corporate film for Roquette
Welder in protective clothing working along a large metal assembly in a factory, from a corporate film for Rossetti
Rows of trucks fitted with white Rossetti dump bodies in an outdoor yard, from a corporate film for Rossetti

Global and Asian brands we have worked with

After you inquire

From request to shoot day

Five steps from your first message to the shoot, with the same team throughout.

One team.
One contract.

Filmed in Singapore.
Edited in São Paulo.

  1. Reply

    We review your request and usually reply within 24 hours on business days.

  2. 20-minute call

    A Google Meet call to answer your questions and understand the goal, the audience and the locations.

  3. Proposal

    Scope, schedule, deliverables and price in US dollars, based on what we learned in the call.

  4. Pre-production

    Script or interview guide, shoot plan and the local crew confirmed for your date, with at least 15 calendar days of notice.

  5. Shoot and edit

    Filming at your location, then editing in São Paulo, first cut, two revision rounds and delivery.


Related pages and cases

The formats we film in Singapore and the cases behind this page.

Practical questions about filming in Singapore

What regional teams usually ask before booking a Singapore shoot.

Do you have an office in Singapore?

We have a Singapore address and phone line: 1 Fullerton Road, #02-01 One Fullerton, Singapore 049213, and +65 6027 6855. We do not have staff based in Singapore today. Shoots are filmed by trusted Singapore partner crews following a plan our team writes, creative work and post-production are done in São Paulo, and you contract Olive Tree Films, LLC, our US company in Miami.

With a plan detailed enough to follow without us in the room: script or interview guide, shot list, visual references and a call sheet, all approved by you. The partner crew’s producer runs the set, and we review the footage at the end of each shoot day, which is our morning in São Paulo, so any notes reach the crew before the next day starts.

Usually not for streets and walkways, as long as the crew does not obstruct vehicles or pedestrians, and not for private property, where the owner gives permission. Government-owned places, from roads and stations to housing estates and state land, need approval from the agency that manages them, and NParks requires a permit for any filming in parks.

Only with two permits from the Civil Aviation Authority of Singapore, an Operator Permit and a Class 1 Activity Permit, which non-recreational flights need whatever the location or the size of the drone. Processing takes at least 10 working days, so aerial shots need to be in the plan from the start.

Yes, if you tell us before the shoot. Most corporate interviews in Singapore are in English; when someone prefers another language, translation and English captions become part of the plan. Captions are included in every package, and voice-over is available in more than 50 languages.

At least 15 calendar days before the shoot. Allow a month if the film needs a park, since NParks asks for applications at least one month ahead, and more time if drones or several executives are involved.

Request a proposal

Filmed in Singapore. Planned and finished by one team.

Woman in front of numbered washing machines and dryers in a shared laundry room, from a corporate film for Super W
Welder working on metal with bright sparks, from a corporate brand film for Rossetti
Two laboratory workers in protective gear examining a sample, from a brand film for Roquette
Worker in a hairnet and hearing protection monitoring factory control screens, from a corporate film for PremieRpet

Request a proposal

Tell us about your Singapore project.

Six fields are enough to start: who you are, what you need, where and when. The budget range and project details are optional.

What happens next. We usually reply within 24 hours on business days and set up a 20-minute Google Meet call. After the call, you receive a proposal in US dollars with the scope, the schedule and the deliverables.

Prefer to talk first? Call us at +65 6027 6855 or write to singapore@olivetreefilms.com.

Singapore address
Olive Tree Films
1 Fullerton Road, #02-01 One Fullerton
Singapore 049213